Jan. 25th, 2011

Line edits have developed a rhythm. I go for the easy things first, the low-hanging fruit; the changes I don't mind making or know most definitely that I won't be making. I work through a whole chapter, go back, pick at the other stuff until it frustrates me and I'm out of tea and avoidant and annoyed and magically rediscovering the urge to scrub out my bathtub or reorganize my kitchen cupboards.

Then I go back a day or two later and magically, those hard things are all easy.

I don't know if it's the absence of information overload (less red ink = easier!) or if reading the chapter through again helps set the newer shape of it, and so the bigger changes or thinky bits are easier to fit in when there's a more cohesive whole. But it seems to work. Let it sit and I can finish.

So the shape of my revising evenings now looks like this: do the second or third pass on the last chapter, vacuuming out all the hard things. Take a short break. Do the first pass on the next chapter, until it frustrates me and I'm out of tea and avoidant. Put it the hell away.

I am starting to pick out some of my editor's tendencies (she likes but vs. and and is trying to drive the general pacing faster, kick the whole thing up by 10 mph). I am starting to notice very sharply some of my own (describe everything, little things, big things; start the narration of an incident at the middle or end, and then double back to explain). This has all kind of been impressively educational.

No, I am not finished yet.


In another part of the world, here's [livejournal.com profile] jimhines on readership, fandom, the Internet, and how they overlap (or don't). I endorse this theory entirely, and there's good stuff in the comments too.

In yet another, this band is good even if their video is terrible. Have some:

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